By Charlotte Hulme
For the purpose of introduction, my name is Charlotte
Hulme and I have just embarked on the challenge that is final year of
university at Brunel in West London. I am doing my degree in English Literature
and Theatre and, consequently, I am doing my theatre placement here at London Bubble!
So, from now I will be writing blog posts after our intergenerational workshops
that run on Thursday evenings, in order to document the work that we do and the
creative process!
The reader would then keep re-reading the text and we
had to do our gestures over and over again, each time working on the precision
of them. For example, we would keep repeating the same gesture continuously
until the speaker started to read again; we would do our gestures every time
the reader stopped, and we would freeze in our ending gesture position every
time the reader started to read. This conciseness led to the actions becoming
well rehearsed and fluid, especially after repeating them several times and working
with contrasting speeds; fast, slow and so on.
We then incorporated the journey to school into this
practice. The start of the piece of text described the teacher making his/her
way to school. We had to make our way to school so that people whose name with
‘A’, for example, would arrive faster than those whose names began letters
further down the alphabet. This, in turn, added the believable aspect into the
work, as in everyday life we would all, perhaps, take a different route or
journey in order to arrive at the same location.
It was a great session where we worked together as a
group to explore, more deeply, the ways in which teachers do, themselves,
incorporate gestures and (hopefully) enthusiasm, sometimes quite flamboyantly,
in order to get a message across to their class full of students. The group
consensus was that this practice worked far better without music or verbiage
because it put more of an emphasis on the movements, drawing attention to our
body language.
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